Studio Paintings, timelapse.

A short time-lapse of this seascape wave study, I will follow up with a detailed narrated time-lapse (much longer) describing the method, technique, colours, brushes etc. And I'll paint some more waves if you like this one.

The short version - I will narrate a longer version describing my method, techniques, colours etc.

Plein Air Paintings, on location.

Painting on location on the Tapuaeroa River, Ruatoria NZ. The mountain in the distance is Taitai. Finished with a touch-up in my studio. The brushes I used; - Synthetic Flats, no.2 through to no.8 - Hog Bristle Flats, no.2 through to no.8 - Badger Hair blender - Hog Bristle Fan no.2 - Short Hog Bristle Filberts, no.6 & no.8 Paints; Titanium White Cadmium Yellow Pale Cadmium Orange Red Madder Pthalo Blue Ultramarine Blue Burnt Umber.

This is two paintings from a weekend on the East Coast of NZ. The first one just outside Ruatoria painting the mountains, the second is from the stream just before Te Puia coming from Ruatoria - just by the golf course.

A short time lapse and explanation how I painted this painting on the side off the side of the road here in Papamoa.

A seascape painted en plein air in Papamoa, New Zealand. Another look at my approach and method plus a Top Tip on how I mix and blend a sky gradient in limited time.

Plein Air Painting in Oil Paint - Mount Maunganui NZ. A quick look into my approach and method to a fast little plein air, battling changing light as the sun goes down on a beautiful autumn day here in NZ.

Alla Prima Paintings, wet-on-wet.

Recorded via Facebook live on the 26th March 2020, so it's raw footage. Painting a seascape from Mount Maunganui beach NZ, I painted this in one session, just under 60 mins. Hopefully it sheds some light in my method and technique, this the same way I approach a Plein Air painting.

Painting a small(12x6inch) Fiordland, New Zealand landscape painting. The first time I have ever videoed myself painting a painting start to finish. Hopefully there's some handy little tips from my thousands of hours behind the brush.